Sebastián Lelio, one of the leading figures of contemporary Chilean cinema, makes films about love and compassion – and the limits of our love and compassion. About who is loved, and accepted, and who is deigned not worthy, and excluded.

He has a personal warmth, friendliness and a winning smile. ‘Film’, he tells me, ‘is a machine for empathy’ and his films deeply immerse us in a life and experience. Usually it’s a woman who is, in some way, an outsider.