A new space race is set to worsen global inequality and extend conflict. We need to return to seeing space as a place for all humankind, argues Nick Dowson.

From 1926 to 2026. A century on, Bethany Rielly and Decca Muldowney examine Britain’s only general strike, a walk out with a scale and impact that remains unprecedented in the country’s history. What can movements learn from it today?

Could the threat of nuclear war be closer than ever? Amy Hall explores how we got here and the pathways out of the crisis.

Gaza-born journalist Ramzy Baroud traces how Palestinians have turned survival into a struggle for dignity, history and freedom, with Gaza at the heart of the resistance.

The modern failures of the United Nations are not an aberration – but a product of its imperial roots, argues Conrad Landin. So how can we create a functioning system for global co-operation?

We depend on it for food, shelter and work, it’s a cultural marker and a source of identity – but also a site of violence and anguish. It’s time for a reckoning, writes Amy Hall.

Update from France by Claire Fauset.

Iceland's charismatic new Left-Green prime minister has big plans, but will the Left-Green's radical programme survive political wrangling with other coalition partners asks Richard Swift.

Profile by Richard Swift

Highlights from the 2025 Toronto Festival by Richard Swift.

A mythical history of the female body turns scholarly material into a thrilling narrative – but makes a few too many leaps of faith. By Orla Polten.

Tilaye’s Saxophone With The Dahlak Band; Nuevos Ríos.

In her final letter, Maya Misikir reflects on the city’s magnetic pull – and the bittersweet gravity it holds for those who leave and return.

Veronique Mistiaen meets Afghanistan’s ‘mother of education’, who for more than two decades has been transforming lives through community-based learning.

Bosnian Co-President from Republika Srpska.

Political Power; Hate Watch; Law and Order; Conspiracy Machine.

The photos, facts, and politics of Senegal.

Profit motive, by Marc Roberts.