Writer, activist and former British Black Panther Farrukh Dhondy reflects with Subi Shah on his inspirations and what we can learn from the current state of world politics.
South Africa is experiencing a wave of vigilante violence against poor Black migrants, mostly from the African continent. Musawenkosi Cabe reports.
Ethical and political dilemmas abound these days. This month: Racist family.
The outspoken artist and architect speaks to Subi Shah about what gets her fired up.
Ethical and political dilemmas abound these days. This month: Is it acceptable for a white child to wear a sari?
Artist Saif Osmani talks to Subi Shah about urban culture, gentrification and Brexit.
Ethical and political dilemmas abound these days. Seems like we’re all in need of a New Internationalist perspective. Enter stage: Agony Uncle.
Changiz M Varzi meets Mexican indigenous women artists who are defying convention.
Rahila Gupta examines the history of the contested idea of ‘political blackness’ and makes the case for retaining it in today’s ongoing fight against racism.
Architecture is never neutral, explains Laith Kharus Whitwham. But can it be made to truly serve the public?
It is not only the Left that makes use of internationalism. From fascists in the street to heads of state, the Right is showing a willingness and enthusiasm to co-ordinate across borders. Simon Childs finds out more.
Working on a documentary in the Andaman Sea prompted questions for Julian Sayarer about the way indigenous and nomadic peoples are represented in the West.
In 1987, the British government contracted a passenger ferry to act as a floating immigration detention centre for Tamil refugees. Later that year a storm set the ship loose from its moorings. Felix Bazalgette reports on the the little-known story of exodus and empire that paved the way for the Windrush scandal.
GI – a rising far-right group that originated in 2003 in France.
Taking down monuments to people who fought to defend slavery should not be controversial at all. Yet in the US today, it is, writes Mark Engler