Certain Women, directed by Kelly Reichardt; Elle, directed by Paul Verhoeven; Moonlight, directed by Barry Jenkins.
Cameraperson, directed by Kirsten Johnson; Twentieth Century Women, directed by Mike Mills.
Malcolm Lewis reviews Chi-Raq and The Unknown Girl.
I, Daniel Blake, directed by Ken Loach; The Innocents, directed and co-written by Anne Fontaine.
The Clan, directed and co-written by Pablo Trapero; Urban Hymn, directed by Michael Caton-Jones.
The Lovers and the Despot, directed and written by Ross Adam and Robert Cannan; The Confession, directed by Ashish Ghadiali.
Richard Swift reviews some of the best offerings at the world's largest documentary film festival.
Tale of Tales, directed by Matteo Garrone; Where to Invade Next, directed by Michael Moore; Fire at Sea (Fuocoammare), directed by Gianfranco Rosi.
Suburra, directed by Stefano Sollima; Heaven Knows What, directed by Ben and Joshua Safdie; Mustang, directed by Deniz Gamze Ergüven.
Dheepan, directed by Jacques Audiard; The Measure of a Man, directed by Stéphane Brizé; Our Little Sister, directed by Kore-eda Hirokazu.
The Pearl Button, directed by Patricio Guzmán; The Survivalist, directed by Stephen Fingleton.
The Assassin, directed by Hou Hsiao-Hsien; Rams, directed by Grímur Hákonarson; This Changes Everything, by Avi Lewis and Naomi Klein.
Carol, directed by Todd Haynes; The Lesson, directed by Kristina Grozeva and Petar Valchanov.
Brooklyn, directed by John Crowley; The Black Panthers: Vanguard of the Revolution, directed by Stanley Nelson.
99 Homes, directed by Ramin Bahrani; A Girl at My Door, directed by July Jung.
Theeb, directed by Naji Abu Nowar; and 45 Years, directed by Andrew Haigh.
Richard Swift picks out some highlights from the 2015 documentary film festival.
More Film, Music & Book reviews from the June 2015 magazine.
The Tribe, directed by Myroslav Slaboshpytskiy; The Supreme Price, directed by Joanna Lipper.
Phoenix and The Falling reviewed by Malcolm Lewis.